Musikprotokoll 2011
im Steirischen Herbst06.10. - 09.10.2011 / Graz, Austria
Glimpses of a workshop: acoustic vignettes, audio-visual valuables, walk-in acoustic backdrops and orchestral statements. Being both heterogeneous and yet stringent, the musikprotokoll programme gives insights into the work of younger and older generations of artists working in many different ways with sound, images and space. Heterogeneous because they come from a variety of genres – from ensemble and orchestra to multimedia instruments. Stringent because they all continue to work on the premises of the musikprotokoll tradition: as a platform and production site for young artists, beholden to the aesthetic ambitions of the risk of current modernism and always with a view to the special regional location in the south-east of Europe.
Presentation of CineChamber:
In 2012 musikprotokoll presented the CineChamber. CineChamber invited the visitors to a new dimension of audiovision. It is both an instrument and a presentation platform; a surround technology specially developed by Recombinant Media Labs (RML) for audio and video that immerses the visitors in new worlds of sound and images all specially created for CineChamber. Together with two partner festivals of the ECAS network project “Networking Tomorrow’s Art for an Unknown Future” (CTM Festival, CYNETART), a whole array of new pieces has been created – some by Austrian musicians and video artists. The event kicked off with the tightly packed, approximately three-hour opening evening with numerous world and Austrian premières; the following afternoons featured material from the already abundant archive.
ECAS supported events during the festival:
RML Cinechamber06.10. - 09.10.2011
| Date | 06.10.2011 |
| Action | CineChamber Modules and Live-concerts on the opening evening of musikprotokoll |
| Participants | Artists: Naut Humon, pita, jade, Ryoichi Kurokawa, Biosphere, Egbert Mittelstädt, Werner Dafeldecker, Lawrence English, Peter Tscherkassky, Fennesz, Lillevan, subshrubs, Edwin van der Heide, Scott Arford, Maryanne Amacher // Technical Team RML: Naut Humon (artistic director) Vance Galloway (technical director), Barry Threw (programmer, concept, video system), Anke Eckhardt (system technician), Achim Kern (programmer, video system technician), Masako Tanaka (consulting/video), Thanks to Edwin van der Heide |
| Location | Dom im Berg |
| Sponsoring Partners | musikprotokoll im steirischen herbst in cooperation with DISK / CTM Festival and TMA / CYNETART // RML is cooperating with: UNIVERSITY OF CALFORNIA, SAN DIEGO, CENTER for RESEARCH in COMPUTING and the ARTS (CRCA), CALIFORNIA INSTITUTE for TELECOMMUNICATIONS and INFORMATION TECHNOLOGY (CalIT2) Faculty of Music - Faculty of Visual Arts, Museum of Contemporary Art: San Diego. Peter Otto, Music Technology Director, Music Department at UCSD, Director of Sonic Arts R and D, Calit2, Resident Researcher at Center for Research in Computing and the Arts (CRCA)/UCSD, RML UCSD Installation Supervisor. Todd Margolis, - Technical Director, CRCA. Shahrokh Yadegari, Theater Sound Design Artist, UCSD CRCA Director. Ramesh Rao, Professor, Director CalIT2 UCSD. Larry Smarr, Professor, CalIT2 Director. Sheldon Brown, New Media Artist, UCSD. Thanks to: Derivative, Touch Designerdevelopers. |
| Musikprotokoll '11 print schedule | |
| Online References | http://musikprotokoll.orf.at/sites/new.musikprotokoll.mur.at/files/materialien/2011_Programmheft_screen.pdf http://musikprotokoll.orf.at/en/ecas-musikprotokoll Video musikprotokoll '11 |
| Description | CineChamber invites you to a new dimension of audiovision. It is both an instrument and a presentation platform; a surround technology specially developed by Recombinant Media Labs for audio and video that immerses us in new worlds of sound and images all specially created for CineChamber. Together with the four partner festivals of the ECAS network project “Networking Tomorrow’s Art for an Unknown Future”, a whole array of new pieces has been created – some by Austrian musicians and video artists. The event kicks off with the tightly packed, approximately three-hour opening evening with numerous world and Austrian premières; the following afternoons will feature material from the already abundant archive. Naut Humon: Xynaxus – from the Xenakis Pers.RemixProj., 2 min; pita and jade: untitled (noctiluca), 12 min live; Ryoichi Kurokawa: Orbit, 4 min; Biosphere and Egbert Mittelstädt: Genkai, 7 min; Werner Dafeldecker and Lawrence English: the cold monolith, 15 min, live; Peter Tscherkassky / Naut Humon: Man with a Movie Theatre, 10 min; Fennesz and Lillevan: Saffron Revolution, 12 min; subshrubs: A Journey into the Mind of P.P., 15 min live; Edwin van der Heide: DSLE-1, 20 min live; Scott Arford: Static Room, 3 min; Ryoichi Kurokawa: Parallel Head, 12 min; Maryanne Amacher: Plaything, 50 min |
| Video |
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| Date | 07.10. - 09.10.2011 |
| Action | CineChamber Screening Module (Installation over 4 days) |
| Participants | Naut Humon, Edwin von der Heide, Biosphere, Egbert Mittelstädt, subshrubs, Werner Dafeldecker, Lawrence English, Ryoichi Kurokawa, Semiconductor, Oval/Markus Popp, Masako Tanaka, Fennesz, Lillevan, Signal, Fundamental Forces, Herman Kolgen, Jochen Paap, Scott Pagano, Scott Arford, pita, jade, Daniel Menche // Technical Team RML: Naut Humon (artistic director) Vance Galloway (technical director), Barry Threw (programmer, concept, video system), Anke Eckhardt (system technician), Achim Kern (programmer, video system technician), Masako Tanaka (consulting/video), Thanks to Edwin van der Heide |
| Location | Dom im Berg |
| Sponsoring Partners | musikprotokoll im steirischen herbst in cooperation with DISK / CTM Festival and TMA / CYNETART // RML is cooperating with: UNIVERSITY OF CALFORNIA, SAN DIEGO, CENTER for RESEARCH in COMPUTING and the ARTS (CRCA), CALIFORNIA INSTITUTE for TELECOMMUNICATIONS and INFORMATION TECHNOLOGY (CalIT2) Faculty of Music - Faculty of Visual Arts, Museum of Contemporary Art: San Diego. Peter Otto, Music Technology Director, Music Department at UCSD, Director of Sonic Arts R and D, Calit2, Resident Researcher at Center for Research in Computing and the Arts (CRCA)/UCSD, RML UCSD Installation Supervisor. Todd Margolis, - Technical Director, CRCA. Shahrokh Yadegari, Theater Sound Design Artist, UCSD CRCA Director. Ramesh Rao, Professor, Director CalIT2 UCSD. Larry Smarr, Professor, CalIT2 Director. Sheldon Brown, New Media Artist, UCSD. Thanks to: Derivative, Touch Designerdevelopers. |
| Musikprotokoll '11 print schedule | |
| Online References | http://musikprotokoll.orf.at/sites/new.musikprotokoll.mur.at/files/materialien/2011_Programmheft_screen.pdf http://musikprotokoll.orf.at/de/2011/werk/cinechamber-module http://musikprotokoll.orf.at/en/ecas-musikprotokoll Video musikprotokoll '11 |
| Description | Naut Humon: Xynaxus – from the Xenakis Pers.RemixProj., 6 min; Edwin van der Heide: DSLE, 9min; Biosphere and Egbert Mittelstädt: Elsewhere Anywhere – People are friends, 4 min; Biosphere and Egbert Mittelstädt: Path Leading to the High Grass, 4 min; subshrubs: A Journey into the Mind of P.P., 15 min; Werner Dafeldecker and Lawrence English: the cold monolith, 6 min; Ryoichi Kurokawa: Orbit, 4 min; Egbert Mittelstädt: Elsewhere II, 6 min; Biosphere and Egbert Mittelstädt: Birds Fly, 6 min; Ryoichi Kurokawa: cm: av_c, surround cinema version, 13 min; Semiconductor: Brilliant Noise, 10 min; Oval/Markus Popp and Masako Tanaka: Halveplane ver 4.0 & Flam ver 4.1, 6 min; Fennesz and Lillevan: Saffron Revolution Forever, 12 min; Signal: signal. combi vision, 29 min; Fundamental Forces (R.Henke/T. Barri): Version FF 00, 22 min; Herman Kolgen: Altered Splice, 9 min; Biosphere and Egbert Mittelstädt: Genkai, 7 min; Egbert Mittelstädt: Kutuzovskiy prospekt, 12 min; Jochen Paap and Scott Pagano: Umfeld, 5 min; Scott Arford: Static Room, 3 min; Ryoichi Kurokawa: Parallel Head, 12 min; pita and jade: untitled (noctiluca), 10 min; Daniel Menche: Paroxysm, 10 min |
